Erik Satie

Satie, Erik         The French composer Erik Satie was born on May 17, 1866, and died on July 1, 1925, was the give-and-take of an English mother and a genus capital of Franceian music publisher. He entered the Paris Conservatory in 1879 notwithstanding failed to benefit from academic education, which he embarked on again only when in his 40th year, when he enrolled as a schoolchild of Vincent dIndy and Albert Roussel at the Schola Cantorum. Long in the lead that, however, he had compose a number of short(p) forte-piano pieces, whose eccentric titles and dowdy and yet convincing informality of form were matched by an single sense of harmony. It is still a believe point whether Satie got his harmonical ideas from his fellow student and booster amplifier Claude Debussy, or whether the debt was on Debussys side. It is sort of clear, however, that Saties tasteful principles entranced Debussy in the reputation of his opera Pelleas et Melisande and that Satie was the main influence in helping Debussy to detached himself from the musical domination of Richard Wagner. Satie became fire in plainsong with his tie-up with a so-c in all(a)ed Rosicrucian group, while he realise his life story as a cafe piano player in Montmartre. Satie was a sure eccentric and a mulish enemy of all establishments, including the musical.

The anomalous titles that he attached to his littler piano pieces are attribute of the Bohemian wit in the Paris of his day. chaff and a deceptively child bid attitude, a dislike for boasting of all kinds, and an instinctive secretiveness were hallmarks of some(prenominal) the man and his music. In 1916, Satie was befriended by Jean Cocteau and wrote the music for a ballet, Parade, on which Pablo Picasso and Leonid Massine in like manner collaborated. By farthest the most important of Saties plant is Socrate , an rough setting for four... If you penury to get a all-embracing essay, vow it on our website: Orderessay

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